Press enter to see results or esc to cancel.

Search Results for: "anthoni"

 

Wed 22 Feb, 2017:
Rust: Keyboard Sonatas – in G minor; in D major (1794); in C major; 12 Variations on 'Blühe liebes Veilchen' (1794)

He was a virtuoso on both violin and keyboards. His teachers were WF Bach, Benda, Martini, Nardini, Pugnani & Tartini. His compositions covered every...

Continue reading

Thu 09 Feb, 2017:
Beethoven: Symphonies – No 1 in C major, Op 21; No 4 in B flat major, Op 60

Published five years after Haydn’s last symphony in 1795, Beethoven’s First portends a new era for the form. Kurt Masur’s response to the change...

Continue reading

Fri 27 Jan, 2017:
Schumann: Papillons, Op 2; Davidsbündlertänze, Op 6; Carnaval, Op 9

Listen to Adelina de Lara (1872-1961), a pupil of Clara Schumann, speaking and interpreting Robert’s music as taught by Clara. Then switch to...

Continue reading

Wed 04 Jan, 2017:
Elgar: Enigma Variations, Op 36; In the South (Alassio), Op 50; Carillon, Op 75; Une voix dans le désert, Op 77; Le drapeau belge, Op 79; Pleading, Op 48

In the South swaggers in as it should, but Vivace here isn’t as thrusting as might have been expected. Restraint hints at thoughtfulness; and Martyn...

Continue reading

Thu 08 Dec, 2016:
Liszt: Transcendental – Études d'éxécution transcendante, S 139; Two Concert Etudes, S 145; Three Concert Etudes, S 144; Grandes études de Paganini, S 141

This set's title, “Transcendental”, also describes Daniil Trifonov’s technique to a nicety. But rising above pianism of precision and torrential...

Continue reading

Fri 04 Nov, 2016:
Berlioz: Symphonie fanstastique, Op 14; Rameau: Suite de Hippolyte et Aricie

Back in 1733, Rameau turned tables with Hippolyte et Aricie. Today it may also be radical to hear it played on modern instruments, as here. But...

Continue reading

Mon 24 Oct, 2016:
Brahms: Double Concerto in A minor, Op 102; Piano Trio No 1 in B major, Op 8 (1854 version); Schumann: Violin Concerto in D minor, WoO 23 (coda by Britten)

Since the orchestras of Karlshrue and Meiningen, with whom Brahms also worked, had a string complement of 30 each he probably would not have objected...

Continue reading

Tue 11 Oct, 2016:
Mozart: Piano Concertos – No 11 in F major, K 413; No 12 in A major, K 414; No 13 in C major, K 415

Perform these concertos as originally scored to include winds – Mozart also sanctioned strings only – and the flavour of oboes and horns,...

Continue reading

Tue 13 Sep, 2016:
Brahms: Violin Sonatas – No 1 in G major, Op 78; No 2 in A major, Op 100; No 3 in D minor, Op 108; Scherzo in C minor from F.A.E. Sonata, WoO 2

Peers but individuals too; and the tellingly close rapport between Christian Tetzlaff and Lars Vogt is exemplified in the last movement of the G major...

Continue reading

Mon 05 Sep, 2016:
Liszt: Transcendental Etudes, S 139

“Pathetically misunderstood” was Clifford Curzon’s verdict on Liszt. Kirill Gerstein has no misconceptions of the genius behind these Etudes,...

Continue reading

Wed 06 Jul, 2016:
Beethoven: Missa solemnis, Op 123

Ever wondered why Beethoven began his Missa solemnis on a weak beat? Is it connected to what J W N Sullivan said in 1927: that the composer “came to...

Continue reading

Wed 11 May, 2016:
Elgar: Symphony No 1 in A flat major, Op 55

Ignore the moustache supposedly proclaiming imperialism. Sense instead a modernist who in 1908 still believed in symphonic form but stripped of...

Continue reading

Wed 04 May, 2016:
Brahms: Piano Concerto No 1 in D minor, Op 15; Four Ballads, Op 10

'Maestoso', the instruction in the first movement, translates to 'majestic'. But how majestic is majestic? Daniel Harding doesn’t hesitate,...

Continue reading